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100 Paintings in 100 Days
I made 100 paintings in 100 days. Each piece is a kind of fingerprint, an expression of my mind each moment, a practice in presence.
The series taught me about the center, about what we put at the center of our lives, about what ripples out of us, about what we circle around and what circles around us. It taught me about shared centers, about community, the moon, cycles, and completion.
Most of all, it taught me about practice
I use naturally foraged and sustainably-sourced pigments. My intention is that my artmaking is as close as possible to zero waste.
Some inks I make myself. Others I purchase from a M'chigeeng First Nation Indigenous artist, Anong Beam. She makes her paints with Manitoulin honey, wildcrafted tree sap, hand-gathered, washed, and sifted stone, and the finest lightfast pigments.
